“You can’t let the possibility that ignorant people will interpret your ideas as racist keep you from discussing critical issues honestly. . . . Too many rich people in the world is a major threat to the human future, and cultural and genetic diversity are great human resources.”
Paul Ehrlich Collapse of civilisation is a near certainty within decades, Interview The Guardian
December 16th 2015 stopping along the Flathead River en-route west on Mont. highway 200. Three pinhole images, 4x5 in. on film.
The two images below show the location of sunrise (orange), sunset (red) and the path of the sun (yellow) for the summer and winter solstices. The orange line shows where the sun appears to rise from our studio windows and the red line where it appears to set. toMake™ studio is located in the center of the arbitrary circle which indicates the cardinal directions.
Winter and Summer Solstice at toMake™ studio
“I am molten matter returned from the core of earth to tell you interior things—”
Anne Carson, from “XVIII. She,” Autobiography of Red: A Novel in Verse
“What else is going on right this minute while ground water creeps under my feet? The galaxy is careening in a slow, muffled widening. If a million solar systems are born every hour, then surely hundreds burst into being as I shift my weight to the other elbow. The sun’s surface is now exploding; other stars implode and vanish, heavy and black, out of sight. Meteorites are arcing to earth invisibly all day long. On the planet the winds are blowing: the polar easterlies, the westerlies, the northeast and southeast trades. Somewhere, someone under full sail is becalmed, in the horse latitudes, in the doldrums; in the northland, a trapper is maddened, crazed, by the eerie scent of the chinook, the sweater, a wind that can melt two feet of snow in a day. The pampero blows, and the tramontane, and the Boro, sirocco, levanter, mistral. Lick a finger: feel the now.”
Annie Dillard, Pilgrim at Tinker Creek
“You were made and set here to give voice to this, your own astonishment. “The most demanding part of living a lifetime as an artist is the strict discipline of forcing oneself to work steadfastly along the nerve of one’s own most intimate sensitivity.” Anne Truitt, the sculptor, said this. Thoreau said it another way: know your own bone. “Pursue, keep up with, circle round and round your life… Know your own bone: gnaw at it, bury it, unearth it, and gnaw at it still.” Write as if you were dying. At the same time, assume you write for an audience consisting solely of terminal patients. That is, after all, the case.”
Annie Dillard, The Writing Life
"My Lord God, I have no idea where I am going. I do not see the road ahead of me. I cannot know for certain where it will end. Nor do I really know myself, and the fact that I think I am following your will does not mean that I am actually doing so. But I believe that the desire to please you does in fact please you. And I hope I have that desire in all that I am doing. I hope that I will never do anything apart from that desire. And I know that if I do this you will lead me by the right road, though I may know nothing about it. Therefore I will trust you always though I may seem to be lost and in the shadow of death. I will not fear, for you are ever with me, and you will never leave me to face my perils alone." Thomas Merton from Thoughts in Solitude
“Scrape the surface of language, and you will behold interstellar space and the skin that encloses it.” Velimir Khlebnikov
“Half the people in the world think that the metaphors of their religious traditions, for example, are facts. And the other half contends that they are not facts at all. As a result we have people who consider themselves believers because they accept metaphors as facts, and we have others who classify themselves as atheists because they think religious metaphors are lies.” Joseph Campbell