“There's a time when the operation of the machine becomes so odious—makes you so sick at heart—that you can't take part. You can't even passively take part. And you've got to put your bodies upon the gears and upon the wheels, upon the levers, upon all the apparatus, and you've got to make it stop. And you've got to indicate to the people who run it, to the people who own it that unless you're free, the machine will be prevented from working at all.”
“In times of war it becomes a necessity to hack the pavement”
Original stone lithograph in a limited edition of 18
"I am here as an artist because of other people's generosity. Because of choices that they made to give to me out of the bounty of their heart... to make a way and a space for me.”
Daniel Alexander Jones, Alliance of Artists Communities
Put Earth First a toMake™ Press letterpress broadside.
Put Earth First is a 18.5” by 25” letterpress broadside on Sakamoto kozo, hand-rubbed, ©Steven R Holloway, and designed & produced by toMake™ Press & Editions.
Suitable for framing and making a statement about your priorities. Shipped domestic USPS Priority in a tube.
“These are the facts. The Senate majority, which the Republican Party currently holds with 51 seats, presently represents 18 percent of the country’s population. Following Brett Kavanaugh’s confirmation, four of the Supreme Court’s nine justices have been appointed by presidents who lost the popular vote. Two of those justices attended the same D.C. area prep school.”
Jacob Sugarman :: acting managing editor at Truthdig
Printing ink on paper
Relief matrix on the press for the second of two runs
Water is good, so is thirst;
shadow is good, so is sun;
the honey from the rosemarys
and the honey of the bare fields.
Antonio Machado, translated by Robert Bly
But What About the Place
Have you been to the place itSelf? Making a map is about place, and place is something that is both other than, but also ourself - an interwoven and dynamic relationship. Making should involve a conscious exploration with this otherness before a mark is made; with emptiness of mind and intent. 'I wake to sleep, and . . . learn by mapping where I stop to map.' Our mark-mapping presents the opportunity of a moral center, no left or right, only the voice of the Place. You have to be on the side of the Place, the whole interwoven inclusiveness within which we live.
“I am an artist… I am here to live out loud.”
“And silence, like darkness, can be kind; it, too, is a language.”
Hanif Kureishi, Intimacy and Midnight All Day
is*land :: a tract of land surrounded by water
After drawing, the stone is etched. Then, when ready to proof the matrix, the drawing is removed, buffed up with asphaltum, cleaned with water, inked up in Shop Mix Black, and proofed. Matrix 123.3 for ‘The Island’.
LAW :: Lithotine wash out.
LAW :: Asphaltum Rubbing.
LAW :: Water and Shop Mix Black Roll Up.
Mylar Proof over Work-In-Progress checking Registration and Appearance.
is*land :: a tract of land surrounded by water
Korns #3 Litho crayon on Aloys :: Making a Mark :: Edition #123 Matrix #3 :: conte crayon guide markings, gummed out non-image areas
First Etching a ~6 drop Nitric Acid @pH2.5
First Etching Detail of the Lake
is*land :: a tract of land surrounded by water
Korns #3 Litho crayon on Aloys :: Making a Mark :: Edition #123 Matrix #3
Levigating a stone clean :: Aloys Matrix #3 in preparation for drawing :: Edition #123
Orange Red printing from the big stone Aloys :: Edition #123 Matrix #2
“Derby Street II : Water Beneath” Edition of E.V. 1/12 - 12/12.
“I have to connect things in the world in a different way”
Anselm Kiefer | answering the question: “Why are you an artist?”
Arrival in the mail. Delightful. Hand printed, ink on paper, delivered. . . this is Joy.
“On the way to Auschwitz the road’s pathway led straight through the heart of the Indies and of North and South America.”
David E. Stannard | American Holocaust: The Conquest of the New World
The bulletin board in the alleyway at toMake™
On the Press: Letterpress Poster/Broadside :: A Message for the Human Tribe :: #EarthToo
Flat as the table
it’s placed on.
Nothing moves beneath it
and it seeks no outlet.
Above—my human breath
creates no stirring air
and leaves its total surface
Its plains, valleys are always green,
uplands, mountains are yellow and brown,
while seas, oceans remain a kindly blue
beside the tattered shores.
Everything here is small, near, accessible.
I can press volcanoes with my fingertip,
stroke the poles without thick mittens,
I can with a single glance
encompass every desert
with the river lying just beside it.
A few trees stand for ancient forests,
you couldn’t lose your way among them.
In the east and west,
above and below the equator—
quiet like pins dropping,
and in every black pinprick
people keep on living.
Mass graves and sudden ruins
are out of the picture.
Nations’ borders are barely visible
as if they wavered—to be or not.
I like maps, because they lie.
Because they give no access to the vicious truth.
Because great-heartedly, good-naturedly
they spread before me a world
not of this world.
Wisława Szymborska Winner, Nobel Prize | Map: Collected & Last Poems,
translated, from the Polish, by Clare Cavanagh & Stanistaw Baranczak
“There isn’t always an explanation for everything.”
Ernest Hemingway | A Farewell to Arms
Surrounded by Water. Second color from stone lithograph matrix.
“If I were called upon to define briefly the word Art, I should call it the reproduction of what the senses perceive in nature, seen through the veil of the soul.”
Layout in conté crayon and gum arabic
Painting out non-image areas with gum
Rubbing crayon application
Ready to etch. 12 drop nitric acid etch.
Etched stone. Gum buff and ready to roll up.
“ … I do not need to show my work, and I do not need to explain it. If the work doesn’t talk to you, just relax. Do any of you have to define yourself? It is very difficult to define yourself. It is even more difficult to reveal yourself.”
Louise Bourgeois | Statement, 1989
Drawing on the stone; Gum block out, Korns medium rubbing crayon and #3 Korns lithography crayon
The bulletin board in the alleyway at toMake™
“Painting is easy when you don't know how, but very difficult when you do.”
The big stone ‘ALOYS’ is named in honor of Johann Alois Senefelder
Johann Alois Senefelder (6 November 1771 – 26 February 1834), the inventor of stone lithography.
“Look, and look again,
This world is not just a little thrill for the eyes.”
Hansa, Primsrose & Warm (Chrome) Yellows + Litho Varnish #7 and Tint Base. Proof run on newsprint with layout.
"There's no use trying," said Alice; "one can't believe impossible things."
"I dare say you haven't had much practice," said the Queen.
"When I was your age, I always did it for half an hour a day. Why, sometimes I've believed as many as six impossible things before breakfast."
In the toMake™ pressroom mixing ink
One can not have too many pencils, ever.
“My argument with so much of psychoanalysis, is the preconception that suffering is a mistake, or a sign of weakness, or a sign even of illness. When in fact, possibly the greatest truths we know, have come out of people’s suffering. The problem is not to undo suffering, or to wipe it off the face of the earth, but to make it inform our lives, instead of trying to ‘cure’ ourselves of it constantly, and avoid it, and avoid anything but that lobotomized sense of what they call ‘happiness’. There’s too much of an attempt, it seems to me, to think in terms of controlling man, rather than freeing him.”
Lithography drawing materials
Shop Mix Black proof of ‘The Island’, Edition #123, Matrix #1
Stone Lithograph matrix #1 for ‘The Island,’ preparation for edition run.
‘The Island,’ edition #123 edition notes and ink mixing. Primrose and Hansa Yellows with Tint Base and Litho Varnish #7.
‘The Island’ matrix #1 notes.
This grand show is eternal. It is always sunrise somewhere; the dew is never all dried at once; a shower is forever falling; vapor is ever rising. Eternal sunrise, eternal sunset, eternal dawn and gloaming, on sea and continents and islands, each in its turn, as the round earth rolls”
John Muir | John of the Mountains: The Unpublished Journals of John Muir
Relief Matrix and Flocking from Generosity & The Way Across | Edition #109
An island or isle is any piece of sub-continental land that is surrounded by water
Edition papers ready for more ink!
Checking the registration on ‘The Island.’ Editioned the water base in [ Imperial Blue + Litho Varnish #7 + Tint Base + Setswell ].
I made a relief matrix from cardboard. Gaylord Lake will be printed on the chine-collé in a clear tint base or varnish.
Proofing the varnish matrix of Gaylord Lake and the island.
Out & About south of the river today Noteworthy Paper and Press has reopened their newly located & renovated gift and print shop and it is wonderful.
“Don’t let us forget that the causes of human actions are usually immeasurably more complex and varied than our subsequent explanations of them.”
F. Dostoevsky | The Idiot
Plate matrix for ‘The Island’; water layer #3
Emerald Green with Tint Base for ‘The Island’ forested or base matrix
Ink draws for ‘The Island’ forested areas matrix
New 20 and 25 inch scraper bars for lithography
October 13th through November 19th M-F 10 to 5 you’re invited to stop by toMAKE™ during the 7th annual Coffeeneuring Event and I’ll make you a cup of coffee; espresso, cappuccino, pour-over, caffè latte or tea. I don’t do cup art and there is no charge. Bring your own mug or choose from my selection in the print room. You do have to stop and drink it in the shop with me. If my hands are inky you might have to pour your own (I’m busy on a new edition after all). AND you should check out the official rules if you are doing Coffeeneuring, otherwise just come on over by the alley bulletin board.
You’ll need to make a reservation first; so eMail, text or call me beforehand. Just click on the mug to the right for the link if you do not already have my contact & location information; please introduce yourself, your liquid preference, and suggested day & times.
I use filtered water from the Missoula aquifer, freshly roasted organic beans from Blackcoffee; Costa for espresso, Ethiopian Sidama for pour-over, have Yogi Tea Vanilla Hazelnut & Licorice Mint herb teas, or Tazo Zen green tea. I use local organic whole milk (if you need an alternative you should bring it) and there is a wee bit of sugar & honey around someplace and unsweetened vanilla extract.
I find, after all these years, I am a believer—
I believe what the thunder and lightning have to say;
I believe that dreams are real,
and that death has two reprisals;
I believe that dead leaves and black water fill my heart.
I shall die like a cloud, beautiful, white, full of nothingness.
The night sky is an ideogram,
a code card punched with holes.
It thinks it’s the word of what’s-to-come.
It thinks this, but it’s only The Library of Last Resort,
The reflected light of The Great Misunderstanding.
God is the fire my feet are held to.
by Charles Wright
Edition #109 Generosity relief block proof on Kozo with flocking.
Edition #109 Generosity relief block proof on Kozo printed in varnish on draft of print.
Shimenawa :: the wrapping of sacred space. Mylar draft for the edition #109 ‘Generosity.’
So I proceeded with the layout for my initial idea of a shimenawa; used to indicate a boundary to something sacred, thus there be a sacred space called Glacier-Waterton International Peace Park! This is indicated in a stylized manner on the companion print ‘The Way Across’.
There are places, like this, that must be wrapped by shimenawa. We are such a selfish species. In her “Memorandum to the Animals” Amy Leach says “If you are concerned about the devastation of your genetic type and you do not see your name on the Keep-Alive List, you might think about clumping some vegetation together into rafts on which to rescue yourselves… Anyway, we need the space for our works and wonders. Many of you are being superannuated because we must give priority to our machinery, our televisions and computers and refrigerators and cars, trucks, airplanes, combination microwave/convection ovens with auto-time zone adjusters. We will still bring a few of you with us, especially those of you with rumps and ribs (please refer to the Keep-Alive List). But we are not going to waste time holloing for the bush babies, waiting for the mayflies to drift in and the kiwis to materialize. We are certainly not going to stand around until the tortoises figure out what’s going on.”
“It is not down in any map; true places never are.” Herman Melville | Moby Dick
“When people are ready to, they change. They never do it before then… You can’t make them change if they don’t want to.” Andy Warhol
“We are living in a culture entirely hypnotized by the illusion of time, in which the so-called present moment is felt as nothing but an infinitesimal hairline between an all-powerfully causative past and an absorbingly important future. We have no present. Our consciousness is almost completely preoccupied with memory and expectation. We do not realize that there never was, is, nor will be any other experience than present experience. We are therefore out of touch with reality. We confuse the world as talked about, described, and measured with the world which actually is. We are sick with a fascination for the useful tools of names and numbers, of symbols, signs, conceptions and ideas.” Alan Watts
“Water is good, so is thirst; … shadow is good, so is sun; … the honey from the rosemarys … and the honey of the bare fields.” Antonio Machado
“…I seemed to do none of the things I intended to do — I didn’t seem to be quite present anywhere —” Georgia O’Keeffe, in a letter to Margaret Kiskadden