MY SONG SINGING

I spent this past week in Norfolk VA attending the annual North American Cartographic & Information Society #nacis meeting. I was there with the help & generosity of several individuals. My presentation & talk ‘But What About the Place’ should eventually find its way online should you be interested. It is not easy to sing your song as an artist when it runs perpendicular to the nature of maps and mapping but I did and am happy to have done so. This is my practice after all.



Morning breakfast and talk preparation at Cure, right around the corner from where I was staying

I put my feet firm on the earth and with clarity and determination sung my voice and spoke from my heart


Ten Percent Tithe the two matrix print on circa 1960 Missoula County Plat Book pages that I distributed to conference attendees


Conference closing dinner. A wonderful gathering of map makers, friends and maps.

The looming presence of power and violence; Wisconsin 64

I was not impressed, I was disturbed. . . the largest Navy base in the world


My poster-map contribution to the conference; “Put Earth First” and “Because Loving Her, Tithe


A visit to the local Art Museum; Felipe Jesus Consalvos’s “The American System”

A visit to the local Art Museum; South African Ubuhle Women ”Beading From The Soul

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SIXTY-NINE TRIPS

I set off late in the day for a climb up Mount Sentinel. Birth Day practice now for many years. Wind, weather and a steep climb to the top and back. So good to be alive. This makes sixty-nine rides around the sun, turning dancing and returning back.



Steps down to the river trail.

Stopping and writing just above the “M”.

Looking upstream through Helgate Canyon. Just above the high water mark of Glacial Lake Missoula.



Mount Sentinel looking out over the Missoula valley, sunset September 28th.

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FOR ALL THAT SHALL BE — YES

“For all that has been — thanks. For all that shall be — yes.”
"In our age, the road to holiness necessarily passes through the world of action."

Dag Hammarskjöld | Markings (1964)

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Competing Narratives : Morning Pieces

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A BRIEF OPPORTUNITY

Seizing the opportunity to interact and experience the Other; the ‘living, ever-surprising world around us’ … a sweet 8 mile run today along the muddy river, food of a different sort.

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YA) The River
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Finishing the Blue Mountain 30K

“You can think of death bitterly or with resignation ... and take every possible measure to postpone it, … Or, more realistically, you can think of life as an interruption of an eternity of personal nonexistence, and seize it as a brief opportunity to observe and interact with the living, ever-surprising world around us.”

Barbara Ehrenreich | Natural Causes: An Epidemic of Wellness, the Certainty of Dying, and Killing Ourselves to Live Longer

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AND LEARN BY GOING WHERE WE HAVE TO GO

The Waking

I wake to sleep, and take my waking slow.   
I feel my fate in what I cannot fear.   
I learn by going where I have to go.

We think by feeling. What is there to know?   
I hear my being dance from ear to ear.   
I wake to sleep, and take my waking slow.

Of those so close beside me, which are you?   
God bless the Ground!   I shall walk softly there,   
And learn by going where I have to go.

Light takes the Tree; but who can tell us how?   
The lowly worm climbs up a winding stair;   
I wake to sleep, and take my waking slow.

Great Nature has another thing to do   
To you and me; so take the lively air,   
And, lovely, learn by going where to go.

This shaking keeps me steady. I should know.   
What falls away is always. And is near.   
I wake to sleep, and take my waking slow.   
I learn by going where I have to go.

Theodore Roethke, from The Collected Poems of Theodore Roethke. ©1953

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The Global Harmony Labyrinth

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LISTEN TO THE ART


“The whole culture is telling you to hurry, while the art tells you to take your time. Always listen to the art.”

Junot Diaz

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31:March Morning Piece

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THE IMPORTANT THING

YA) ’Making the unknown known.’ Must listen, stop and carefully listen, discard the baggage and see the unknown, known the unknown, experience the Other. . . .
Recently I’ve not been successful on the press and after another difficult & stressful day of disappointments Meena the Cat came into the pressroom, got on my shoulders, and nuzzled, kissed and comforted me as I was cleaning up. We go on with the practice, the effort, with making the unknown known.

“Whether you succeed or not is irrelevant, there is no such thing. Making your unknown known is the important thing.”

Georgia O’Keeffe

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IMPOSSIBLE THINGS

"There's no use trying," said Alice; "one can't believe impossible things."
"I dare say you haven't had much practice," said the Queen.
"When I was your age, I always did it for half an hour a day. Why, sometimes I've believed as many as six impossible things before breakfast."

Lewis Carroll

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In the toMake™ pressroom mixing ink

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One can not have too many pencils, ever.

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MAKING MISTAKES

Working on the edition ‘The Island,’ a five-colour/matrix stone lithograph from the large stone ALOYS. It will bleed off the bottom of a full sheet of Somerset Soft Velvet White. It feels good to be back working in the pressroom. Making mistakes and suffering is indeed an essential part of being a living member of the human tribe. ‘Not to undo suffering’ . . . but ‘to make it inform our lives.’ So I made some mistakes in the process of this edition, and it wasn’t happiness or easy . . . neither is life.


“My argument with so much of psychoanalysis, is the preconception that suffering is a mistake, or a sign of weakness, or a sign even of illness. When in fact, possibly the greatest truths we know, have come out of people’s suffering. The problem is not to undo suffering, or to wipe it off the face of the earth, but to make it inform our lives, instead of trying to ‘cure’ ourselves of it constantly, and avoid it, and avoid anything but that lobotomized sense of what they call ‘happiness’. There’s too much of an attempt, it seems to me, to think in terms of controlling man, rather than freeing him.”

Arthur Miller


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Lithography drawing materials

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Shop Mix Black proof of ‘The Island’, Edition #123, Matrix #1

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Stone Lithograph matrix #1 for ‘The Island,’ preparation for edition run.

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The Island,’ edition #123 edition notes and ink mixing. Primrose and Hansa Yellows with Tint Base and Litho Varnish #7.

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‘The Island’ matrix #1 notes.

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THE MORNING PIECES

Selections from the morning pieces are now online. You can view 800 images from my practice of making a response on a blank sheet of 19 by 24 in. Strathmore Cream paper, more or less on a daily basis. These are not for sale, nor are they finished pieces. I have been doing this since 1995, in the morning before the days’ agenda, while life is still. These images are from 2013


Morning Pieces Book

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between seasons

Between the seasons, I think that is where we are right now, somedays melting and raining and others snowing and cold … as I started to say, between brings up all the unsettled and unresolved. I was out and about and pass’d my old voice teacher, the most wonderful of radiant voices, and we got talking and spoke of the practice room. YA) the practice room. Returning again and again. What is it I have intended to do this lifetime ?

“…I seemed to do none of the things I intended to do — I didn’t seem to be quite present anywhere —” Georgia O’Keeffe, in a letter to Margaret Kiskadden

Three-Forks-Poster

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